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❤️ Rueda de casino calls


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rueda de casino calls

Dez. Rueda de casino krakГіw einem Enchufla geht der Salsero mit einem Many moves have hand signs to complement the calls; these are useful. Oct 11, Juli Rueda de Casino, is a circle, or wheel (rueda) of partners dancing in unison in response to the calls of the leader in the group. “Calls” in a. 6-Weeks, Tuesdays at 7pmFollow-up classes for the Rueda de Casino Bootcamp (and other Beginners)$12 per person per class, or $40 per monthNew.

Rueda De Casino Calls Video

14 figures rueda in this collection People incorrectly call it "Casino Rueda" or "Cuban Salsa. As soon as you are facing no deposit bonus code ac casino next lady, leaders lift and pass under ladies right arm to next partner. To add some flair to it, just pokerspieler deutschland you break to do-se-do around the other leaders, turn your ladies by her R shoulder IT, clockwise. They took their culture with them, including various dishes, music and dancing. Leaders and ladies can help serie a italien tabelle other: This is because the pioneers of Rueda de Casino wanted to keep others from participating in their Rueda. Lead ladies into an outward turn, clockwise, moobile your right hand. The Rueda either ends here, or hold her four beats to continue. The claps are initiated on the leaders left foot, just after leaving your partner to pick rueda de casino calls your new lady. ArribaAbajoCadenaTarrito. Do 1 clap after the first, 2 after the second, etc.

Rueda de Casino is a way of dancing Cuban salsa where pairs form a circle in Spanish, rueda means "wheel" , and partners frequently swap. A cantante Spanish for "singer" gives commands.

This list is a quick lookup to remind yourself of the commands - click on the names of the moves to see more complete descriptions. Please also help to make this wikibook educational and interesting, by adding new commands and editing the existing commands.

From Wikibooks, open books for an open world. Retrieved from " https: Rueda de Casino Shelf: Views Read View source View history.

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Una Abajo , Arriba , Centro , Tarrito. Cadena , Centro , Prima. Turn to the right, push her hand, duck under your left, push her hand, back to Guapea.

Abajo , Centro , Dame , Tarrito. Arriba , Abajo , Cadena , Tarrito. Ocho , Prima Centro con Dos. Leaders and ladies stand opposite while the leaders left hand holds the ladies right hand.

On the first beat, both step forward to each other, leaders step with their right foot, ladies with their left foot. The leaders right hand and ladies left hand gently pushes to each other.

On second and third beat they both step back to the original position. On the first beat of the second strofe, both step back, leaders left foot, ladies right foot so they are standing side by side, still holding hands.

This is repeated until the caller calls out the opening move. Partners rock, in closed position, in and out of the wheel, poiting up and out, then down and into the circle with their joined hands.

Continues until another call arriba, abajo, dile que no. Counterclockwise forward for the leader around the circle. Partners in closed position.

Clockwise backward for the leader around the circle. Let go of your partners right hand as you both open to the center of the circle. Leaders put their right hand on ladies back and left hand on her right shoulder, move them to your left out of the way and start them on an inside turn.

This is all done in two counts. Quickly move to the second lady to the right. Ladies, once started on the inside turn left turn , continue solo and wait for the next leader to pick you up out of the turn.

With 2 couples, this call has a special feel. To add some flair to it, just as you break to do-se-do around the other leaders, turn your ladies by her R shoulder IT, clockwise.

The leaders must be especially quick to get around in this. Two fingers up Same as Dame Dos, but with two hand claps as you pass through the center.

Depending on your dance school, the Dame Dos move is already done with two handclaps. In that case, this call is not used.

Meanwhile, the lady is doing a turn in the opposite direction, so that you pass each other. Pick her up for a cross body lead to switch into position.

Swing her around in front in time to go back into the basic rueda step, ending with the right hand to left hand push-off.

Closed fist held up, arm moves up and down, like pulling on a truckers horn After cross body lead or stop and go, pulse the lady and bring her to the right side under the left arm as she does a half turn to face you, leaders move to where ladies started.

Then step to the inside to pass them. Closed fist held up, arm moves up and down, like pulling on a truckers horn, with pointer and pinkie fingers up; two fingers means double Same as above but after you start to bring her to the right under your left arm, stop her half way with the right hand on the back, and send her back.

Do the move again this time continue as above. Closed fist held up, arm moves up and down, like pulling on a truckers horn, plus the added turn sign, pointer finger up moving in circular motion Same as above, but after she passes all the way to right under the leaders left arm, with continuous motion the leaders left arm comes down and goes back up.

The leader turns to the right under his arm and immediate goes for the next lady passing his last partner on the inside. Closed fist held up, arm moves up and down, like pulling on a truckers horn, and Same as the single and double Enchufle, but adding a bit of abuse to the end.

After she completes her move to the right side, and as the leader steps to the inside to pass her, with his right hand he taps the top of her right hand which he is still holding and then taps her forehead.

All this in time to the music. Do 3 or 4 if called Enchufles in a row with 1,2,3 or 4 claps just before picking up the next girl. Do 1 clap after the first, 2 after the second, etc.

Same as an Enchufle, except you put your hands together and dive up to the next girl. Leaderss finish this pattern facing counterclockwise, and do not pick up the next partner.

The claps are initiated on the leaders left foot, just after leaving your partner to pick up your new lady. Then do a cross body lead to get back into the Rueda.

Use the momentum of your arm as it comes out and down from the enchufla turn to initiate your right turn. The leaders can embellish this by getting to the inside with a quick hook turn at the end of the counts.

As soon as you are facing the next lady, leaders lift and pass under ladies right arm to next partner. Same as Festival de Enchufle, but doing Adios instead.

Same as above but after lifting ladies arm up step through and turn left bringing her arm down when you complete the turn. Leaders step toward the next lady with his right arm reaching over his left arm, which is still holding the ladies right hand.

Then let go and grab next partner. Wave good-bye then hand to the chest Start with the same half spot turn to the right as above, but as soon as leaders face center, lift ladies right arm and step towards center then turn to the left whipping around to face your partner.

Leaders backs are to center, look at your partner. Pulse her and bring her to the center passing in front you and under your left arm, at the same time leaders switch positions so now they face center and ladies face them.

Next pull the ladies out of center and directly not under an arm to leaders right side catching with the right arm on her back.

Ready for the cross body lead. In leading this outward turn, the leaders dances in place while the ladies finishes the outward turn.

Stay with your original lady thru , only leaving to pick up the new lady on the next pacewith an cross body loop. Usually with legs apart and snapped together.

This is done on the "1" or when the leaders right foot and ladies left come together. On the first 3 count, lift ladies right hand up and turn her outside her right.

As she completes turn bring her right hand back down and hold out straight, her left hand is wrapped behind her waist. On the second 3 count, leaders turn her back the other way, moving her to the right side then looping their right arm over their head leaders right hand to their left shoulder, ladies arm loops over and behind leaders head.

Ladies left arm rests on leaders right shoulder, Leaders right hand drops under ladies left shoulder and rests on her back, now ready for cross body lead.

After unwinding out of hammerlock, bring the lady to your right side, around behind, while taking both her hands in your right hand. Bring the lady back around front and across with a one-handed cross body lead, changing her hands to your left hand to end in the open Rueda position.

Everybody touches hands in the center again. After unwinding out of hammerlock, Leaders lead ladies behind them around their left, and switch hands behind the back.

Continue to lead ladies around the right side, and do a 2nd cross body lead using the right arm in front of them.

Switch back to leaders left hand as they cross. Same as above, but after the second cross body lead, Leaders do the above again, but this time over the head and only with the Left hand.

Leaders and ladies all hold hands in one unbroken circle. The leaders dance into the circle on the left foot while the ladies lean out of the circle, still holding on.

All join hands quickly to form the unbroken circle again, etcetera. This same pattern can also be done "inverted", with everybody facing out of the circle.

Leaders move to the left and catch her on their right side ready for another cross body lead. Ladies can also do two and a half turns if they want.

The Rueda either ends here, or hold her four beats to continue. As ladies move to leaders left side, leaders circle around ladies so when they stop spinning they are almost on the leaders right side again.

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